Twitch (film)

Twitch is a Student Academy Award-nominated short film directed by Leah Meyerhoff.

Twitch kicked off the film festival circuit by winning a Grand Jury Prize at Slamdance and going on to screen in over 200 film festivals worldwide. Twitch has since won over a dozen international awards and is currently airing on the Independent Film Channel and Skandinavia TV.

Plot

Twitch tells the story of a young girl torn between two worlds: her domestic life, where she must care for her mother who uses a wheelchair, and her escape into the emerging world of sexuality with her eager, hormone-addled boyfriend. Leah's mother plays the Mother role in an essentially autobiographical role for the filmmaker. The making of the film was a component of the IFC series Film School, chronicling the first time filmmaking efforts of four New York University graduate film school students.

Cast

Awards

Twitch.tv

Twitch.tv is a live streaming video platform owned by Twitch Interactive, a subsidiary of Amazon.com. Introduced in June 2011 as a spin-off of the general-interest streaming platform Justin.tv, the site primarily focuses on video gaming, including playthroughs of video games, broadcasts of esports competitions, and more recently, creative content. Content on the site can either be viewed live, or viewed via Video on demand.

The popularity of Twitch would eclipse that of its general-interest counterpart; in October 2013, the website had 45 million unique viewers, and by February 2014, it was considered the fourth largest source of peak Internet traffic in the United States. At the same time, Justin.tv's parent company was re-branded as Twitch Interactive to represent the shift in focus – Justin.tv was shut down in August 2014. The site has also branched out into music-related streams and content. In 2015, Twitch announced it had more than 1.5 million broadcasters and 100 million visitors per month.

Twitch (EP)

Twitch is an EP, and the first official release, by Australian alternative rock band Jebediah. It was released on 5 August 1996 by record label Murmur.

Background and recording

In January 1996 Jebediah were selected to play the local leg of the Summersault festival, run by promoter Steve Pavlovic, which featured Beastie Boys, Foo Fighters, Sonic Youth, Beck, Pavement and Rancid. In March that year they recorded five songs with Chris Dickie – an English sound engineer who had worked with The Pogues, Morrissey and Depeche Mode before moving to Australia in 1994 – at the Poons Head Studios in Western Australia. These were the first songs that the band had ever recorded.

In April the band signed with Murmur, an imprint of Sony Music Australia, following which they embarked on a number of national tours. The first with label stable-mates Something for Kate (called "Unipalooza") was for six weeks, performing at universities all around Australia. This was followed by supporting Snout and Automatic on their national tour in June. The band also won its first WAMi award for 'Best Stage Presence' that year.

List of MÄR characters

This is a list of characters in the MÄR series developed and designed by Nobuyuki Anzai.

Team MÄR

Ginta Toramizu

(虎水ギンタ Toramizu Ginta)
Voiced by: Motoko Kumai (Japanese), Spike Spencer (English)

Babbo

(バッボ)
Voiced by: Banjou Ginga (Japanese), Michael McConnohie (English)

Babbo is a unique ÄRM that was first wielded by Phantom and is later wielded by Ginta. He resembles a metal kendama. He contained the soul of the previous Elder of Caldia.

Babbo has many forms:

Loco (Apache)

Loco (1823–1905 or 1909) was a Copper Mines Mimbreño Apache chief.

Name

It is unknown whence Loco received his name. One theory suggests that he was named for the fact that he was "'crazy' enough to trust the white men." Another theory says that he got his name from his actions at a battle against the Mexicans, where he supposedly braved gunfire in order to save an injured warrior.

Time as chief

Unlike the militant Geronimo and the proud but aware Victorio, Loco was an advocate for peace. After the death of Cuchillo Negro, chief of the Warm Springs Tchihende, (1857) and Mangas Coloradas, chief of the Copper Mines Tchihende, (1863), the Copper Mines Mimbreños and the Warm Springs Mimbreños, under Pindah's pressure, were forced to leave the Pinos Altos area, near Santa Rita del Cobre, and try to concentrate in the Ojo Caliente area both of the tribe's bands; after Delgadito's death (1864) the Copper Mines Tchihende Loco, along with the Warm Springs Tchihende Victorio (who, already chosen as his son-in-law by Mangas Coloradas, was preferred to the older Nana), became the chiefs. The Mimbreños accepted to settle in a reservation, before at Ojo Caliente and later at Cañada Alamosa, but the Mimbreño reservation was abolished, and Victorio's and Loco's people was sent to the Mescalero reservation at Tularosa. When the Government stated to deport the Mimbreños to San Carlos, in 1877 Victorio and Loco led back their people to Ojo Caliente, but, in 1878, 9th Cavalry was sent to bring them back to San Carlos. Victorio took again the warpath, but Loco was arrested. Loco didn't join Victorio in his last war in 1879-1880, remaining in the San Carlos reservation. In 1882, when a party of Apaches including Geronimo forced Loco to leave for Mexico, Loco instead waged guerilla warfare against the Chiricahuas. In 1886, Loco went to Washington, D.C. to negotiate; however, like Geronimo, he was made prisoner and sent to Florida.

Loco (composition)

Loco is an orchestral composition in one movement by the American composer Jennifer Higdon. The work was commissioned by the Ravinia Festival of Highland Park, Illinois to commemorate the Ravinia train as part of the Train Commission Project. It was first performed on July 31, 2004 at the Ravinia Festival by the Chicago Symphony Orchestra.

Composition

Loco has a duration of roughly 8 minutes and is composed in a single movement. Higdon described her inspiration for the piece in the score program notes, writing:

Instrumentation

The work is scored for an orchestra comprising two flutes, piccolo, three oboes, three clarinets, two bassoons, contrabassoon, four French horns, three trumpets, three trombones, tuba, piano, timpani, three percussionists, and strings.

Reception

Jeremy Eichler of The Boston Globe described Loco as "a gleaming and rambunctious curtain-raiser". Scott Cantrell of The Dallas Morning News similarly called it "seven minutes of high-energy scurries, clatters, chatters, jabs, chugs and fanfares." Andrew Druckenbrod of the Pittsburgh Post-Gazette wrote, "This piece imitates a "fast-moving train," and it roared into the hall. The fanfare-like work filled every nook and cranny with rhythmic pulsing and walls of sound." He added: